Grim monarch! see, depriv’d of vital breath,
A young physician in the dust of death:
Dost thou go on incessant to destroy,
Our griefs to double, and lay waste our joy?
“Enough” thou never yet wast known to say,
Though millions die, the vassals of thy sway:
Nor youth, nor science, nor the ties of love,
Nor aught on earth thy flinty heart can move.
The friend, the spouse from his dire dart to save,
In vain we ask the sovereign of the grave.
Fair mourner, there see thy lov’d Leonard laid,
And o’er him spread the deep impervious shade;
Clos’d are his eyes, and heavy fetters keep
His senses bound in never-waking sleep,
Till time shall cease, till many a starry world
Shall fall from heav’n, in dire confusion hurl’d,
Till nature in her final wreck shall lie,
And her last groan shall rend the azure sky:
Not, not till then his active soul shall claim
His body, a divine immortal frame.

  But see the softly-stealing tears apace
Pursue each other down the mourner’s face;
But cease thy tears, bid ev’ry sigh depart,
And cast the load of anguish from thine heart:
From the cold shell of his great soul arise,
And look beyond, thou native of the skies;
There fix thy view, where fleeter than the wind
Thy Leonard mounts, and leaves the earth behind.
Thyself prepare to pass the vale of night
To join for ever on the hills of light:
To thine embrace his joyful sprit moves
To thee, the partner of his earthly loves;
He welcomes thee to pleasures more refin’d,
And better suited to th’ immortal mind.

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She reads, of course, what he’s doing, shaking Nixon’s hand,
dating this starlet or that, while he is faithful to her
like a stone in her belly, like the actual love child,
its bills and diapers. Once he had kissed her
and time had stood still, at least some point seems to
remain back there as a place to return to, to wait for.
What is she waiting for? He will not marry her, nor will he
stop very often. Desireé will grow up to say her father is dead.
Desireé will imagine him standing on a timeless street,
hungry for his child. She will wait for him, not in the original,
but in a gesture copied to whatever lover she takes.
He will fracture and change to landscape, to the Pope, maybe,
or President Kennedy, or to a pain that darkens her eyes.

“Once,” she will say, as if she remembers,
and the memory will stick like a fishbone. She knows
how easily she will comply when a man puts his hand
on the back of her neck and gently steers her.
She knows how long she will wait for rescue, how the world
will go on expanding outside. She will see her mother’s photo
of Elvis shaking hands with Nixon, the terrifying conjunction.
A whole war with Asia will begin slowly,
in her lifetime, out of such irreconcilable urges.
The Pill will become available to the general public,
starting up a new waiting in that other depth.
The egg will have to keep believing in its timeless moment
of completion without any proof except in the longing
of its own body. Maris will break Babe Ruth’s record
while Orbison will have his first major hit with
“Only the Lonely,” trying his best to sound like Elvis.

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Tyger! Tyger! burning bright
In the forest of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

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The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
  And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
  And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
  And the tide rises, the tide falls.

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1

To sing of wars, of captains, and of kings,
Of cities founded, commonwealths begun,
For my mean pen, are too superior things,
And how they all, or each, their dates have run
Let poets, and historians set these forth,
My obscure verse shall not so dim their worth.
2

But when my wond’ring eyes, and envious heart,
Great Bartas’ sugared lines do but read o’er,
Fool, I do grudge the Muses did not part
‘Twixt him and me that overfluent store;
A Bartas can do what a Bartas will,
But simple I, according to my skill.
3

From schoolboy’s tongue, no rhetoric we expect,
Nor yet a sweet consort, from broken strings,
Nor perfect beauty, where’s a main defect;
My foolish, broken, blemished Muse so sings;
And this to mend, alas, no art is able,
‘Cause nature made it so irreparable.
4

Nor can I, like that fluent sweet-tongued Greek
Who lisped at first, speak afterwards more plain.
By art, he gladly found what he did seek,
A full requital of his striving pain:
Art can do much, but this maxim’s most sure.
A weak or wounded brain admits no cure.
5

I am obnoxious to each carping tongue,
Who says my hand a needle better fits;
A poet’s pen all scorn I should thus wrong;
For such despite they cast on female wits:
If what I do prove well, it won’t advance,
They’ll say it’s stolen, or else it was by chance.
6

But sure the antique Greeks were far more mild,
Else of our sex, why feigned they those nine,
And poesy made Calliope’s own child?
So ‘mongst the rest they placed the arts divine:
But this weak knot they will full soon untie,
The Greeks did nought, but play the fool and lie.
7

Let Greeks be Greeks, and women what they are,
Men have precedency, and still excel;
It is but vain, unjustly to wage war;
Men can do best, and women know it well;
Preeminence in each and all is yours,
Yet grant some small acknowledgement of ours.
8

And oh, ye high flown quills that soar the skies,
And ever with your prey, still catch your praise,
If e’er you deign these lowly lines your eyes,
Give wholesome parsley wreath, I ask no bays:
This mean and unrefinèd stuff of mine,
Will make your glistering gold but more to shine.

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The Owl and the Pussy-Cat went to sea
  In a beautiful pea-green boat,
They took some honey, and plenty of money
  Wrapped up in a five-pound note.
The Owl looked up to the stars above,
  And sang to a small guitar,
“O lovely Pussy, O Pussy, my love,
What a beautiful Pussy you are,
          You are,
          You are!
What a beautiful Pussy you are!”
 
Pussy said to the Owl, “You elegant fowl!
  How charmingly sweet you sing!
O let us be married! too long we have tarried:
  But what shall we do for a ring?”
They sailed away, for a year and a day,
  To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
          His nose,
          His nose,
With a ring at the end of his nose.  

“Dear Pig, are you willing to sell for one shilling
  Your ring?”  Said the Piggy, “I will.”
So they took it away, and were married next day
  By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
  Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
  They danced by the light of the moon,
          The moon,
          The moon,
They danced by the light of the moon.

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I saw him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o’er the ground
With his cane.

They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the Crier on his round
Through the town.

But now he walks the streets,
And looks at all he meets
Sad and wan,
And he shakes his feeble head,
That it seems as if he said,
“They are gone.”

The mossy marbles rest
On the lips that he has prest
In their bloom,
And the names he loved to hear
Have been carved for many a year
On the tomb.

My grandmamma has said—
Poor old lady, she is dead
Long ago—
That he had a Roman nose,
And his cheek was like a rose
In the snow;

But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.

I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!

And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old forsaken bough
Where I cling.
 

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Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you’ll find
Only your picture in my mind.

Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant’s cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.

But, on the other side, thou’rt drawn
Like to Aurora in the dawn;
When in the east she slumb’ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.

Like an enchantress here thou show’st,
Vexing thy restless lover’s ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw’st away,
To be the greedy vulture’s prey.

But, against that, thou sit’st afloat
Like Venus in her pearly boat.
The halcyons, calming all that’s nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.

These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num’rous colony;
And a collection choicer far
Than or Whitehall’s, or Mantua’s were.

But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.

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Mark but this flea, and mark in this,
How little that which thou deniest me is;
Me it sucked first, and now sucks thee,
And in this flea our two bloods mingled be;
Thou know’st that this cannot be said
A sin, nor shame nor loss of maidenhead,
  Yet this enjoys before it woo,
  And pampered swells with one blood made of two,
  And this, alas, is more than we would do.

Oh stay, three lives in one flea spare,
Where we almost, yea more than married are.
This flea is you and I, and this
Our marriage bed and marriage temple is;
Though parents grudge, and you, we are met,
And cloistered in these living walls of jet.
  Though use make you apt to kill me,
  Let not to that, self-murder added be,
  And sacrilege, three sins in killing three.

Curel and sudden, hast thou since
Purpled thy nail, in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it sucked from thee?
Yet thou triumph’st, and say’st that thou
Find’st not thy self nor me the weaker now;
  ‘Tis true; then learn how false, fears be;
  Just so much honor, when thou yield’st to me,
  Will waste, as this flea’s death took life from thee.

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John Greenleaf Whittier (1807–1892)

 

Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly’s unlaid ghosts return.

O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?

Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?

Did sudden lift of fog reveal
Arcadia’s vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?

Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?

Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado’s hills?

Alas! the gallant ships, that sailed
On blind Adventure’s errand sent,
Howe’er they laid their courses, failed
To reach the haven of Content.

And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.

O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad’s moonlit street,
Haroun al Raschid walking yet,

Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.

What matter that it is not May,
That birds have flown, and trees are bare,
That darker grows the shortening day,
And colder blows the wintry air!

The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.

Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.

Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!

Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world’s great wonders come to me,

And holier signs, unmarked before,
Of Love to seek and Power to save,—
The righting of the wronged and poor,
The man evolving from the slave;

And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o’er-wearied hands and wait,
In full assurance of the good.

And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire’s blaze.

And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead,—

Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.

I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.

As low my fires of drift-wood burn,
I hear that sea’s deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.

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Leon Markowicz (1940– )

The canary yellow envelope at mail call
aroused the other seminarians,
“What’s the occasion?”
“Ya got me,” I lied and peeked in at
two Mallards landing
on a Blessed Virgin blue
pond with a largemouth bass
leaping to greet them
under the swirling script
in the sky—
Happy Birthday
To A Wonderful Son—
the only reminder that
tomorrow, just another
day in the sem,
was my birthday,
the seventh since any celebration
with Mom and Sarah, my sister,
the seventh away from Winthrop Street
in Detroit, half a continent west,
my third birthday
with my new family
the Congregation of the Holy Ghost
whom I adopted with vows of
poverty, chastity, obedience
a family but
no gifts, not even a handkerchief,
no three-layer cake
lathered with angel-white icing,
lipstick-red roses,
first slice for the birthday boy,
no candles, family, friends to sing
Happy Birthday to You

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Thomas Moore (1779–1852)

Believe Me, If All Those Endearing Young Charms

Believe me, if all those endearing young charms,
   Which I gaze on so fondly today,
Were to change by tomorrow, and fleet in my arms,
   Like fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art,
   Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
   Would entwine itself verdantly still.

It is not while beauty and youth are thine own,
   And thy cheeks unprofaned by a tear
That the fervor and faith of a soul can be known,
   To which time will but make thee more dear;
No, the heart that has truly loved never forgets,
   But as truly loves on to the close,
As the sunflower turns on her god, when he sets,
   The same look which she turned when he rose.

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Mujh pe itna karam kare koi
Saturday, July 22nd, 2006
Chaara -e- shaame-gham kare koi
Mujh pe itna karam kare koi

Bun hi jayega aik din dariya
Qatra qatra baham kare koi

Manzile-amn kuchh bhi door nahin
Faaslon ko to kum kare koi

Main hi kaafi hun gham uthane ko
Apni aankhen na num kare koi

Mere hi khoone-dil se ai ’shahid’
Mera qissa raqam kare koi

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MeiN tumeiN yaad bhii aaya keh naheiN
shehar sey door safar kartey hoey
rah chaltey ya kaheeN beth key sastaatey hoey
aatey jaatey hoey, bey wajah kaheiN ruktey hoey
seeRiiyaan chaRtey hoey, zulf ko suljhaatey hoey
ghar mein aaey kissi mehmaaN ki tawaazoh kartey
chaaey deytey hoey, haathoN sey piyaalii girtey
meiN tumheiN yaad bhii aaya keh naheiN
ghoomtey phirtey hoey, long driving kartey
chooRiiyaan leytey hoey, eid ki shopping kartey
ghar sey jaatey hoey ya shaam ko ghar aatey hoey
beykhiyaalii mein kissi khiyaal mein khho jaatey hoey
duniya daarii sey bohat duur nikal jaatey hoey
meiN tumheiN yaad bhii aaya keh naheiN
pichhley do chaar jo din guzrey heiN
kia kahooN kitney kaThin guzrey heiN
intezaar itna kiya hai keh saddii ho jaisey
beybasii apney moqadar mein likhhii ho jaisey…

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